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puce The Black Keys - The Cuts - The National
Bowery Ballroom  (New York City)  3 octobre 2004

Three bands, one town, two nights. Patrick Carney (Drums) and Dan Auerbach (guitar, sing) were performing in one of NYC's most famous underground concert hall, two weeks after their new Cd, Rubber Factory, was released.

The band was preceeded with The Cuts and The National. Froggy's Delight's readers know The National derserves better than a previous; however, no one complained to see their performance in NYC, as they responded The Black Keys' invitation.

The Cuts belongs to these bands which are pleasant, but not extraordinary. Five players on stage, it is a lot, especially compared to the Black Keys. Anyway, the played in front of 30 persons, the New Yorkers seem to avoid the discovering part of the show, and show up better for the main artist. Later, they will claim : "I was at The Cuts' concert before the Black Keys, and it was incredible". Nervermind. The Cuts performed a nice concert, though. Their music is based on a background melody, played by the keyboard, and an energic melody performed by the guitar. Unfortunately, the singer's voice is weak and sometimes off-tune. Nice concert but nothing to keep in mind.

When the National entered the stage, the audience left the bar and shown up in the concert hall. 45 minutes during which the band played oldies and new songs. Many new songs, and some of them are not on The Cherry Tree Ep, which augurs a new release soon. As usual, the songs were calm then turned to a strechted atmosphere. Some of them, such as "Murder me Rachel" were longer than ever, whith a long instrumental period, close to instrumental post-rock bands, such as Manitoba.

The audience appreciated, but didn't ask for a bis. The set was predetermined, and the timing was well respected, which seems to be common in the USA. As well, people show up only for whom they wanna know, explaining why The Cuts played in front of an empty room.

The hall was crowded for The Black Keys second performance, here in NYC. Playing two consecutive evenings is not common for a recent band, and they thanks the staff at the Bowery Ballroom fro that. Patrick took place behind his drums ; Dan touched the strings of his stranged and customized guitar. As far, the dirty and heavy atmosphere was already set. The guitar plays both the bass and the melody. They played songs from Rubber Factory, their third album, from Thickfreakness, and older songs.

One would say the Black Keys music is repetitive, that there are not any differences from a song to an other. It is not false, but nobody complained because the most important in their music is the atmosphere they create. It is like being in Louisiana, in a small town, waiting for being served at a gaz station. It is hot, and the radio produces an imperfect sounds, inspired from the old blues.

One could also say that they need a bass guitar. As they are compared to the White Stripes because there is only drums and a guitar (such as the Kills, The Raveonettes...), people think they are sharing their lacks. The Black Keys does not have the same ambition, and no bass guitar is lacking. For the moment.

"We are the Blacks", on we embody the south american music.

 

A lire aussi sur Froggy's Delight :

La chronique de l'album Attack & Release de The Black Keys
La chronique de l'album Brothers de The Black Keys
La chronique de l'album Turn Blue de The Black Keys
The Black Keys en concert à Bowery Ballroom (3 octobre 2004) - 2ème
The Black Keys en concert au Trabendo (5 octobre 2006)
The Black Keys en concert au Zénith (mercredi 25 janvier 2012)
La chronique de l'album Sad songs for dirty lovers de The National
La chronique de l'album Cherry Tree de The National
La chronique de l'album Kicking the national habit de Grand National
La chronique de l'album Alligator de The National
La chronique de l'album Boxer de The National
La chronique de l'album High Violet de The National
La chronique de l'album The National Health de Maximo Park
La chronique de l'album Trouble Will Find Me de The National
La chronique de l'album Sleep Well Beast de The National
The National en concert à La Guinguette pirate (22 juin 2003)
The National en concert à Mains d'Oeuvres (3 novembre 2003)
The National en concert au Nouveau Casino (11 juin 2004)
The National en concert au Festival Le Printemps de Bourges 2005 (jeudi)
The National en concert au Café de la Danse (25 avril 2005)
The National en concert au Festival La Route du Rock 2005 (vendredi)
The National en concert au Trabendo (24 novembre 2005)
The National en concert à La Guinguette Pirate (13 décembre 2005)
The National en concert au Festival La Route du Rock 2007 (mercredi)
The National en concert au Festival La Route du Rock 2007 (jeudi)
The National en concert au Festival Furia Sound 2008
The National en concert au Festival International Benicàssim 2008
The National en concert au Festival International Benicàssim 2008 - 2ème
The National en concert au Festival La Route du Rock 2010 (dimanche)
The National en concert au Festival Pukkelpop 2010 (samedi 21 août 2010)
The National en concert au Festival BIME Live! 2014 (édition #2) - samedi 1er novembre
L'interview de The National (22 juin 2003)
L'interview de The National (3 novembre 2003)
L'interview en VO de The National(11 juin 2004)
L'interview de The National (11 juin 2004)
L'interview de The National (5 mai 2007)
L'interview de The National (avril 2010)


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# 25 août 2019 : C'est la rentrée ... littéraire

Cette semaine on continue de passer en revue les sorties littéraires de la rentrée en attendant la fin des vacances alors que la rentrée théâtrale commence à pointer son nez. Bonne lecture.

Lecture avec :

"Baikonour" de Odile d'Oultremont
"Civilizations" de Laurent Binet
"Kintu" de Jennifer Nansubuga Makumbi
"L'été meurt jeune" de Mirko Sabatino
"Les liens" de Domenico Starnone
"Tous les hommes n'habitent pas le monde de la même façon" de Jean Paul Dubois
et toujours :
"Cavalier seul" de Fred & Nat Gévart
"Ce qu'elles disent" de Miriam Toews
"Cent millions d'années et un jour" de Jean Baptiste Andrea
"Chaque fidélité" de Marco Missiroli
"Où bat le coeur du monde" de Philippe Hayat

Du côté de la musique :

"Time for a change" de Pokett
"Tone of musette" de Le Balluche de la Saugrenue
"Symi" de Symi
Une autre interview de Inspector Clouzo à Terre de sons, après notre rencontre avec The Inspector Clouzo lors de leur passage à Foreztival
et toujours :
"Onda" de Jambinai
"Fire" de Part Time Friends
"Simon Chouf & le Hardcordes trio" de Simon Chouf
"EP n°1" de The Reed Conservation Society

Au théâtre :

"Les Témoins" à la Manufacture des Abbesses
"Hervé" au Théâtre de la Reine Blanche
"Quand l'Amour des Notes..." au Théâtre Essaion
des reprises
"La Machine de Turing au Théâtre Michel
"Sherlock Holmes et le Mystère de Boscombe" au Grand Point Virgule
"Michel For ever" au Théâtre de Poche-Montparnasse
"Tchekhov en folie" au Théâtre de Poche-Montparnasse
"Bronx" à la Scène Libre
"Lisa et moi" au Théâtre Essaion
"Les Swinging Poules - Chansons sunchronisées" au Théâtre Essaion
"Cyrano de Bergerac" à La Folie Théâtre
"J'admire l'aisance avec laquelle tu prends des décisions catstrophiques" au Théâtre de la Reine Blanche
et la chronique des spectacles à l'affiche en août

Expositions avec :

la dernière ligne droite "L'Allemagne romantique - Dessins des musées de Weimar" au Petit Palais

Cinéma avec :

"Une fille facile" de Rebecca Zlotowski


Bonne lecture, bonne culture, et à la semaine prochaine.

           
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