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puce The Black Keys - The Cuts - The National
Bowery Ballroom  (New York City)  3 octobre 2004

Three bands, one town, two nights. Patrick Carney (Drums) and Dan Auerbach (guitar, sing) were performing in one of NYC's most famous underground concert hall, two weeks after their new Cd, Rubber Factory, was released.

The band was preceeded with The Cuts and The National. Froggy's Delight's readers know The National derserves better than a previous; however, no one complained to see their performance in NYC, as they responded The Black Keys' invitation.

The Cuts belongs to these bands which are pleasant, but not extraordinary. Five players on stage, it is a lot, especially compared to the Black Keys. Anyway, the played in front of 30 persons, the New Yorkers seem to avoid the discovering part of the show, and show up better for the main artist. Later, they will claim : "I was at The Cuts' concert before the Black Keys, and it was incredible". Nervermind. The Cuts performed a nice concert, though. Their music is based on a background melody, played by the keyboard, and an energic melody performed by the guitar. Unfortunately, the singer's voice is weak and sometimes off-tune. Nice concert but nothing to keep in mind.

When the National entered the stage, the audience left the bar and shown up in the concert hall. 45 minutes during which the band played oldies and new songs. Many new songs, and some of them are not on The Cherry Tree Ep, which augurs a new release soon. As usual, the songs were calm then turned to a strechted atmosphere. Some of them, such as "Murder me Rachel" were longer than ever, whith a long instrumental period, close to instrumental post-rock bands, such as Manitoba.

The audience appreciated, but didn't ask for a bis. The set was predetermined, and the timing was well respected, which seems to be common in the USA. As well, people show up only for whom they wanna know, explaining why The Cuts played in front of an empty room.

The hall was crowded for The Black Keys second performance, here in NYC. Playing two consecutive evenings is not common for a recent band, and they thanks the staff at the Bowery Ballroom fro that. Patrick took place behind his drums ; Dan touched the strings of his stranged and customized guitar. As far, the dirty and heavy atmosphere was already set. The guitar plays both the bass and the melody. They played songs from Rubber Factory, their third album, from Thickfreakness, and older songs.

One would say the Black Keys music is repetitive, that there are not any differences from a song to an other. It is not false, but nobody complained because the most important in their music is the atmosphere they create. It is like being in Louisiana, in a small town, waiting for being served at a gaz station. It is hot, and the radio produces an imperfect sounds, inspired from the old blues.

One could also say that they need a bass guitar. As they are compared to the White Stripes because there is only drums and a guitar (such as the Kills, The Raveonettes...), people think they are sharing their lacks. The Black Keys does not have the same ambition, and no bass guitar is lacking. For the moment.

"We are the Blacks", on we embody the south american music.

 

A lire aussi sur Froggy's Delight :

La chronique de l'album Attack & Release de The Black Keys
La chronique de l'album Brothers de The Black Keys
La chronique de l'album Turn Blue de The Black Keys
The Black Keys en concert à Bowery Ballroom (3 octobre 2004) - 2ème
The Black Keys en concert au Trabendo (5 octobre 2006)
The Black Keys en concert au Zénith (mercredi 25 janvier 2012)
La chronique de l'album Sad songs for dirty lovers de The National
La chronique de l'album Cherry Tree de The National
La chronique de l'album Kicking the national habit de Grand National
La chronique de l'album Alligator de The National
La chronique de l'album Boxer de The National
La chronique de l'album High Violet de The National
La chronique de l'album The National Health de Maximo Park
La chronique de l'album Trouble Will Find Me de The National
La chronique de l'album Sleep Well Beast de The National
La chronique de l'album First two pages of Frankenstein de The National
La chronique de l'album Laugh Track de The National
Articles : Pearl Jam - Viagra Boys - The National - SLIFT - Toybloïd - En bref cette semaine
The National en concert à La Guinguette pirate (22 juin 2003)
The National en concert à Mains d'Oeuvres (3 novembre 2003)
The National en concert au Nouveau Casino (11 juin 2004)
The National en concert au Festival Le Printemps de Bourges 2005 (jeudi)
The National en concert au Café de la Danse (25 avril 2005)
The National en concert au Festival La Route du Rock 2005 (vendredi)
The National en concert au Trabendo (24 novembre 2005)
The National en concert à La Guinguette Pirate (13 décembre 2005)
The National en concert au Festival La Route du Rock 2007 (mercredi)
The National en concert au Festival La Route du Rock 2007 (jeudi)
The National en concert au Festival Furia Sound 2008
The National en concert au Festival International Benicàssim 2008
The National en concert au Festival International Benicàssim 2008 - 2ème
The National en concert au Festival La Route du Rock 2010 (dimanche)
The National en concert au Festival Pukkelpop 2010 (samedi 21 août 2010)
The National en concert au Festival BIME Live! 2014 (édition #2) - samedi 1er novembre
L'interview de The National (22 juin 2003)
L'interview de The National (3 novembre 2003)
L'interview en VO de The National(11 juin 2004)
L'interview de The National (11 juin 2004)
L'interview de The National (5 mai 2007)
L'interview de The National (avril 2010)


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# 1er décembre 2024 : de quoi se réchauffer

En attendant l'avant-dernière Mare aux Grenouilles de l'année le 6 décembre, voici notre sélection culturelle de la semaine.

Du côté de la musique :

"Cartoon Darkness" de Amyl and The Sniffers
"Day After Day" de Cy
"Reboot" de Harun
"Hydropath" de Isil Bengi
"Dummy light in the chaos" de Montañita
"O Days" de NLF3
"Nouveau Ministère" de Planterose
"Silence the night" de Sang Froid
"Drag N'Fly" de The Dynamics

et toujours :
"Secte" de 1=0
"Country" de Baptiste W Hamon
"French Manhattan" de L'Ambulancier
"Après le déluge (et autres illuminations d'A. Rimbaud)" de Les Enfants d'Icare
"Mégaphenix" de Mustang
"The good kind" de Our Girl
"Come ahead" de Primal Scream
"The day lady Rachel died" de Sacha Gordon & The Weird Orchestra
Interview de Sophie Darly autour de son album "Slow down fast"
Nouvel épisode "L'enfance - Partie 2" de la nouvelle saison du Morceau Caché !

Au théâtre :

"After Show" au Théâtre du Rond-Point
"For Gods Only" au Théâtre du Rond-Point
"Tu connais la chanson ?" au Théâtre Le Funambule
"Yvonne ou ma génération Y" au Théâtre La Flèche

et toujours :
"Dialogues de bêtes" au Théâtre Le Lucernaire
"Body concert" au Théâtre du Rond-Point
"Iphigénie à Splott" au Centre Wallonie-Bruxelles
"Psychodrame" au Théâtre de Suresnes Jean Vilar
"Tribu Nougaro" au Théâtre Hébertot
"La chute de la maison Usher" au Théâtre Darius Milhaud

"n degrés de liberté" au Théâtre de Belleville
"Lumière !" au Théâtre Le Lucernaire
"Pauvre bitos ou le diner de tête" au Théâtre Hébertot

des reprises :
(des pièces déjà chroniquées qui reviennent à l'affiche, atttention, parfois c'est dans un théâtre différent)
"L'Art d'être bête" au Théâtre de Poche Montparnasse
"Toutes les choses géniales" au Théâtre Le Funambule Montmartre
"Comment va le monde ?" à Théâtre Essaïon
"66 jours" à La Scala
"Intra Muros" à La Pépinière Théâtre
"Des ombres et des armes" à La Manufacture des Abbesses
"Changer l'eau des fleurs" au Théâtre Lepic
"Je m'appelle Erik Satie comme tout le monde" au Théâtre Le Funambule Montmartre

Du côté de la lecture :

"Les opérations de la Seconde Guerre mondiale en 100 cartes" de Jean Lopez, Nicolas Aubin & Benoist Bihan
"Ecrits sur le cinéma" de Pauline Kael
"L'héritière" de Gabriel Bergmoser
et toujours :
"De cendres et de flammes" de Kate Mosse
"Histoires de la seconde guerre mondiale" de Jean Lopez & Olivier Wieworka"Dernier meutre au bout du monde" de Stuart Turton
"Sparte contre Athènes" de Manuel Rodrigues de Oliveira

Aller au cinéma ou regarder un bon film :

"Slow Pulse Boys, the story of And Also The Trees de Sébastien Faits-Divers & Alexandre François
"Au Boulot !" de Gilles Perret et François Ruffin
"Le repli" de Joseph Paris
"Rivière" de Hugues Hariche
"Les oubliés de l'amérique" et autres films de Sean Baker
"Terrifier 3" de Damien Leone
"Papa est en voyage d'affaires" de Emir Kusturica

Et toute la semaine des émissions en direct et en replay sur notre chaine TWITCH

Bonne lecture, bonne culture, et à la semaine prochaine.

           
twitch.com/froggysdelight | www.tasteofindie.com   bleu rouge vert métal
 
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